Reading without rhythm – 24/4/08

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Thanks TokyoMango!

Vom leisen Inferno der Depression und von der Unheimlichkeit des Glücks.

– Vantan gets a sneak preview of the Peranakan Museum. The museum occupies the old Tao Nan school building at Armenian Street, next to The Substation.

PingMag pays homage to Tony Silver, one of the first to identify and capture the anarchic spirit of graffiti culture on film in the 1984 Style Wars. When he went back to interview the same kids in 2003:

The reunion was different for each person. Some of them had succeeded as artists while others regretted what they had done in the past. But every single one of the kids Silver had captured in the early ’80s on his 16mm film were radiant and the filmmaker who shared that moment might have been one of the first few adults to deeply understand hip-hop culture.

– It’s nice that Newater’s winning prizes, but maybe we should learn from how the Aussies conserve water?

– Omodaka, responsible for the infectious Kokoriko Bushi video, has more music videos up on YouTube.

What is OMODAKA?
OMODAKA is the name of the project developed through a trial and error process of mutational fusion of music and motion graphics. It will knock over your existing image toward a music video by a beautiful trajectory.

OMODAKA って何?
音楽とモーション・グラフィックスの突然変異的融合を試行錯誤してきた企画の名前それ が OMODAKA。あなたのミュージックビデオに対する既存イメージを美しい軌跡でひっ くり返します。

– SFS is screening Manufactured Landscapes this Saturday afternoon (details here), and Sight and Sound has a review.

– Ok, we know Makhmalbaf, Kiarostami, Majidi, Abbas, (does Satrapi count? viz. Persepolis) But who’s Rakhshan Bani-Etemad?

Internationally, Rakhshan Bani-Etemad is a directors’ director, loved by the dedicated and the educated. At home, she is a godmother of Iranian cinema who has been working for two decades and whose films are hits even as they critique Iran’s paternalism. Her work deserves to be seen abroad because she addresses many of the questions which western Europe and America have, not only about living in an Islamic state but also about the individuality and identity of all women who live under anti-woman regimes.

– In criticising religion, atheists don’t have a good explanation of why religion is still so pervasive. They seem to have ignored its narrative power, as Mark Dery argues:

Arguably, this is because it’s not about God; rather, religion is simply the only philosophical (or, if you will, mythic) language available to some Americans to articulate their discontent and their visions of social change. The Dawkins/Hitchens question—What’s wrong with religion?—is far less illuminating than the question they might have asked: What are American evangelicals really talking about when they talk about religion?

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